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Stephen Layton MBE

Collaborations

Paweł Łukaszewski

Stephen Layton and Paweł Łukaszewski together in the vestry of Trinity College Chapel, Cambridge, during the Hyperion recording sessions in July 2007.
Stephen Layton and Paweł Łukaszewski together in the vestry of Trinity College Chapel, Cambridge, during the Hyperion recording sessions in July 2007.

A personal memory

In February 2005, Paweł Łukaszewski took the jury of the Musica Sacra International Composition Competition from Warsaw to his birthplace, Częstochowa. The bus jolted over rough roads through the snow-covered countryside in sub-zero temperatures. During that uncomfortable journey, a recording of his Via Crucis, heard privately for the first time, left a profound impression through its warmth, rich harmonies and haunting repetitions.

At Jasna Góra, Jerzy Duda-Gracz’s paintings of the Stations of the Cross were extraordinary, but the most enduring memory is of the chapel of the Black Madonna. As the sacred icon was revealed at the end of Mass, trumpets suddenly sounded a fanfare in E-flat major from high above, and the worshippers fell to their knees. Those trumpets still ring in memory — an unforgettable glimpse of the spiritual world from which Paweł’s music emerges.

Jasna Góra monastery, Częstochowa, Poland. From Stephen Layton's project Paweł Łukaszewski
Jasna Góra monastery, Częstochowa, Poland.
The chapel of the Black Madonna at Jasna Góra. From Stephen Layton's project Paweł Łukaszewski
The chapel of the Black Madonna at Jasna Góra.

Concerts and recordings

Stephen Layton’s association with Paweł Łukaszewski’s music began with performances of his Advent Antiphons with the BBC Singers and has developed over more than two decades through concerts, premieres and recordings.

In 2006, he gave the premiere of Łukaszewski’s Mass for choir and wind instruments, in its organ version, with the Holst Singers at London’s Temple Church, subsequently performing the work in Warsaw and at the Gaude Mater Festival in Częstochowa. He later recorded Via Crucis with Polyphony and Britten Sinfonia for Hyperion, and returned to the work at the Wratislavia Cantans Festival in Wrocław. Other collaborations in Poland have included the premiere of the Magnificat and Nunc dimittis with the Polish Chamber Choir and Sinfonietta Cracovia.

The seven Advent Antiphons have remained particularly central to his work. First introduced into the Advent services of Trinity College Cambridge in 2006, they featured in his 2007 Hyperion recording of Łukaszewski’s choral music with the college choir. During those recording sessions, the composer wrote a new Nunc dimittis, dedicated to Layton and the choir, which Layton has subsequently performed widely.

More recent performances of the Advent Antiphons have included concerts with the Holst Singers at the Temple Church, Brentwood Cathedral and the 2024 Joy & Devotion Festival of Polish Sacred Music in London. Layton has also been preparing a performing edition of the seven antiphons in consultation with the composer.

The Musica Sacra International Composition Competition, which first brought Layton and Łukaszewski together in 2005, has remained an important part of their musical friendship. Layton has served on its international jury over many years, including when the competition was hosted at Trinity College Cambridge in 2016, reflecting their shared commitment to encouraging new generations of composers.

Musica Sacra International Composition Competition jury, Trinity College Cambridge, 2016., Front row, left to right: Stephen Layton, Marian Borkowski, Rev. Vincenzo De Gregorio., Back row, left to right: Paweł Łukaszewski, Jaakko Mäntyjärvi, Małgorzata Nowak, Andrea Angelini, Vaclovas Augustinas, Ri
Musica Sacra International Composition Competition jury, Trinity College Cambridge, 2016.
Front row, left to right: Stephen Layton, Marian Borkowski, Rev. Vincenzo De Gregorio.
Back row, left to right: Paweł Łukaszewski, Jaakko Mäntyjärvi, Małgorzata Nowak, Andrea Angelini, Vaclovas Augustinas, Richard Mailänder, Jan Łukaszewski.

Film

Łukaszewski: Via Crucis
Orkiestra Symfoniczna Filharmonii Wrocławskiej, September 2012
Soloists: Roderick Williams, Iestyn Davies and Andrew Kennedy
Jerzy Duda-Gracz, The Golgotha of Jasna Góra, Station 12: ‘Dying’, painted in 2000 and 2001 for the monastery of Jasna Góra, Częstochowa., Pope John Paul II stands at the foot of the cross beside the icon of the Black Madonna of Częstochowa, among figures from Polish history: bishops, monks, nuns, c
Jerzy Duda-Gracz, The Golgotha of Jasna Góra, Station 12: ‘Dying’, painted in 2000 and 2001 for the monastery of Jasna Góra, Częstochowa.
Pope John Paul II stands at the foot of the cross beside the icon of the Black Madonna of Częstochowa, among figures from Polish history: bishops, monks, nuns, crowned figures and a concentration camp prisoner.
Stephen Layton and Paweł Łukaszewski saw the cycle together at Jasna Góra in February 2005. This painting is on the cover of the Hyperion recording of Via Crucis.

Recordings